FEATURED

 

BY CREATIVES, FOR CREATIVES

File_000.jpeg
 

 Follow us

 
Carlos Cruz Diez’s art moves with the observer. “With all kinetic art,” he writes, “you have to be active for the pieces to work. If you stop in front of the work, the piece dies.” . Video by UBS Art, with @mary.rozell.nyc, Head of the #UBSArtCollection. Pictured: Translucent Chromointerferent Environment at #Unlimited @artbasel @galeriaraquelarnaud Booth: Unlimited | Hall 1.1 | U43 . Shared from @ateliercruzdiez
Captured by Virgile S. Bertrand (@virgilebertrand_hk_photo) in Hong Kong. — #artoffaith #moma #artbasel
This 36-foot chain necklace by Mexican artist #AnaPellicer was made to scale for the Statue of Liberty in honor of the monument's centennial in 1981. In the project’s brochure, the artist states: “At a time of grave political and economic crisis along the Southern border of North America and within Mexico, the Statue—wearing the cultural totems of aboriginal peoples—ceases to be only the idealization of individual liberty, and becomes the liberty of all the unique peoples of the world.” Photo by @matthewseptimus, via @momaps1.
Work by Günther Förg (#guntherforg), currently on display at the Stedelijk Museum in Amsterdam. via @alminerechgallery
A public architectural installation by #AndyGoldsworthy, captured by our friend @juliasuzanne 😊. Check out the hashtag to see more of his sculptures and land art.
#AdamMagyar‘s photos are full of motion. To create this piece, ‘New York I’, he placed his camera high in the city skyline and captured New Yorkers during their daily commute. Then he assembled them, one by one, into a massive grid.
The figures in Alex Gardner’s (@artposer) paintings are faceless and their clothing is devoid of cultural references. Instead, the story is in the body language, and details in the hands, feet and joints. He draws some inspiration from Late Renaissance paintings, but as an Afro-Japanese individual, he instead chooses a dark, almost ambiguous skin tone for his figures. The result is a piece more universally accepted and understood by viewers. . Pictured: “Chair #1”, 48x48, acrylic on linen, 2016 “No Planning for the Future”, 60x60, acrylic on linen, 2017 Gallery photos from The Hole NYC in 2017 A street art collaboration with @molly_bounds.
Psalm 32:7– You are my hiding place; you will protect me from trouble and surround me with songs of deliverance. — from @alabaster_co & @carmenleungg
“Feedback Loops” by @mteilhard — #artoffaith